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Hearing development.

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1 Hearing development. on Fri 17 Nov 2017 - 22:01

Katrina

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Hearing development.

Developed hearing is also quite an important component of the general physical and mental formation of the magician. The world consists of sounds. Words and sounds in magic are given great attention. The principle of sounding everything around is laid by the Creator himself. In the process of developing the physical and astral hearing, you will find that each object produces its own subtle, unique sound. Even scientists have already determined that the planets in space sound at their frequencies, constantly playing the Great Symphony of the World!
We will begin training as usual with physical hearing and finish with exercises to develop astral perception of sounds, the so-called "clairaudience."

Exercise 1. Let's listen.

Sit in the room, relax, close your eyes. Now listen. Strain your ears and dismember all the sound that you hear in separate sounds. Determine the source of each of them, its cause. If you hear voices on the street, try to imagine people who speak. Feel their mood, emotions. Maybe you will not hear clearly their entire speech, but by intonation and your sensory perception try to determine what they are talking about. It is very good to perform this exercise in the classroom at the university, in the classroom or in the crowded office, transport
and so on. There is real expanse for your learning: the complexity of isolating individual sounds increases, and along with it the effectiveness of exercise increases. Exercise disciplines attention, allowing you to concentrate on perceived auditory information.

Exercise 2.You are the musical device.

Turn on the music. Any. But it is desirable that you like it. Attentively listen to the record from beginning to end. Try to catch the sound of individual instruments and people. Try to restore the imagination of the room in which this melody was recorded. In the future you will even be able to determine the true mood of musicians and singers during the performance of the song. And now the second part of this task. Turn off the music. Try setting the room as quiet as you can. You should be alone for at least half an hour, so that no one disturbs you. Lie down or sit back, close your eyes. And in your imagination "turn on" the recently listened music. Try to reproduce it very accurately from beginning to end. Practice, in time, doing this exercise, you can do without the help of the player. When you master the exercise of this exercise in complete silence, complicate your task, "including" the imaginary composition during extraneous noise - in public transport and in other places where there are many sounds . So at the same time you will develop concentration on the produced actions and learn how to separate your consciousness from the reality that is happening around. This ability to stand aside, to be an observer, is very useful for a magician. It is in the state of an outside observer that one can control reality most effectively.

Exercise 3. Let us hear the past.

Find the room in which someone just talked. For the first attempts it is necessary to try to pick up places where there were emotional people deeply experiencing what was said about. But the main thing is that you do not need to know what the conversation was about. You can negotiate with someone who attended
at such conversation and will be able to check you then. So, the very essence of what you need to do: You come to such a room. Choose any object in it and tune into it, direct your attention to it, and feel subtle impulses. But not just all possible impulses, but the memory of the conversation that just sounded. You should hear from the subject echoes of someone else's speech or at least catch her emotional background. Or this option. You just sit comfortably and adjust to the general energy of the room, trying to hear, feel what just sounded here, who and what was saying. Then share your conjectures with a friend. Gradually you will learn to restore events not only recently, but also of ancient times, only being in technical offices or in contact with the monuments of those eras. In this exercise, the main role is played by your query in space. If you are aiming to hear the spoken conversation, then your thin bodies will read just that.

Elina Boltenko.

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